Fiction in Henry James “Paste”

Fiction in atomic number 1 piles feast hold over of Contents 1. Introduction3 2. American Modernism4 3. total heat jam (1843-1916)5 4. banquet8 5. Fiction in atomic number 1 crowd to set offher10 6. Paste analysis12 6. Conclusion14 7. Bibliography15 1. Introduction In my experimental condition makeup I bequeath primarily discuss henry crowd together and his miserable st date Paste. Firstly, I will focus on the time he wrote the yarn and than I will describe his flavor and his three study pen phrases.Next, I will go on with giving the around heavy of the theme touching the al virtually important point of its sources and who influenced James to such a impinge on on. The next section in the term paper is superstar of the most important ones because it touches all(prenominal) the most important things connected with fiction in Jamess short layer which will be a guide towards the analysis of Paste. In the analysis I will poke into the narrative techniques and I will connect the discourse with the story. Finally, the term paper ends with an conclusion summing up all the relative points. 2.American Modernism The capacious cultural wave of Modernism, which gradually emerged in Europe and the United States in the early eld of the 20th century, expressed a sense of refreshful-made feeling through art as a sharp prisonbreak from the past, as well as from Western civilizations classical traditions. Modern life jar againstmed radically antithetic from traditional life to a greater extent scientific, faster, more technological, and more mechanized. Modernism embraced these changes. Technological innovation in the world of factories and machines inspired new attentiveness to technique in the arts.To take one example Light, curiously electrical light, fascinated modern artists and drop a liners. Posters and advertisements of the period ar full of images of illume skyscrapers and light rays shooting bug out from automobile headlights, moviehouses, and watchtowers to illumine a gruesome outer darkness suggesting ignorance and old-fashioned tradition. The way the story was told became as important as the story itself. Form and structure became more important than content. henry James, William Faulkner, and many other American spell outrs experimented with fictional points of view.Vision and viewpoint became an innate expectation of the modernist novel as well. No longer was it suitable to write a straightforward third-person narrative or (worse yet) use a pointlessly intrusive narrator. The way the story was told became as important as the story itself. 3. Henry James (1843-1916) pic Life Henry James was born in New York City into a wealthy family. His father, Henry James senior , was one of the best-known intellectuals in mid-nineteenth-century America, whose friends included Thoreau, Emerson and Hawthorne. In his youth James traveled congest and forth between Europe and America.From an early age James ha d read the classics of English, American, French and German literature, and Russian classics in translation. He studied with tutors in Geneva, London, Paris, Bologna and Bonn. At the age of nineteen he briefly attended Harvard Law School, but was more interested in literature than studying law. James produce his first short story, A Tragedy of Errors two years later, and then devoted himself to literature. In 1866-69 and 1871-72 he was contributor to the Nation and Atlantic Monthly where his first novel, Watch and guard (1871) was published. James wrote it while he was traveling through Venice and Paris.After upkeep in Paris, where James was contributor to the New York Tribune, he move to England, documentation first in London and then in rye whiskey, Sussex. During his first years in Europe James wrote novels that portrayed Americans living abroad. Jamess years in England were uneventful. In 1905 he visited America for the first time in xxv year, and wrote Jolly Corner. It wa s based on his observations of New York, but as well as a nightm be of a man, who is h auntieed by a doppelganger. Between 1906 and 1910 James revised many of his tales and novels for the so-called New York Edition of his complete works. It was published by Charles Scribners Sons.His autobiography, A small boy and others (1913) was continued in Notes of a son and brother (1914). The third volume, The middle years, appeared posthumously in 1917. The outbreak of World War I was a shock for James and in 1915 he became a British citizen as a loyalty to his take country and in protest against the USs refusal to enter the war. James suffered a fortuity on December 2, 1915. He expected to die and exclaimed So this is it at last, the distinguished thing However, James died three months later in Rye on February 28, 1916. both novels, The Ivory Tower and The sense of the past(1917), were left unembellished at his death.Jamess three writing phases after his Biographer Leon Edel Jamess f irst, or international, phase encompassed such works as Transatlantic Sketches (travel pieces, 1875), The American (1877), Daisy moth miller (1879), and a masterpiece, The Portrait of a Lady (1881). Jamess second period was experimental. He exploited new subject matters feminism and social reform in The Bostonians (1886) and political intrigue in The Princess Casamassima (1885). He also attempted to write for the theater, but failed embarrassingly when his play clapperclaw Domville (1895) was booed on the first night. In his third, or major, phase James eturned to international subjects, but treated them with change magnitude sophistication and psychological penetration. The complex and almost mythical The Wings of the dove (1902), The Ambassadors (1903) (which James mat up was his best novel), and The Golden Bowl (1904) date from this major period. In James, scarce self-awareness and clear perception of others yields wisdom and self-sacrificing love. diagnostic for James no vels are understanding and sensitively drawn lady portraits James himself was a homosexual, but sensitive to basic sexual differences and the fact that he was a male.His main themes were the innocence of the New World in conflict with corruption and wisdom of the Old. In Jamess later works, the most important events are all psychological usually moments of intense illumination that show characters their earlier blindness. Apart from writing fiction, James made important contributions to the genre of literary theories, especially through his famous essay, The Art of Fiction, 1884. g. In his early critics James considered British and American novels dull and formless and French fiction intolerably unclean. M.Zola is magnificent, but he strikes an English lecturer as unknowing he has an air of working in the dark if he had as much light as energy, his results would be of the highest value. (from The Art of Fiction) 4. Paste Two weeks after his fathers death Arthur Prime lost als o his stepmother, an former actress disregard Bradshaw. After his stepmothers funeral Arthur told his cousin Charlotte to select and take some of the jewelry her aunt left. Charlotte selected a pearl necklace which appeared to her as authoritative. Arthur felt deeply insulted with the belief that they were real and the way his stepmother as an actress could got such pearls.Charlotte apologizes and agrees with Arthur that they are paste and takes them s back to Bleet where she worked as governess. Once at a political party, Mrs. Guy noniced the pearls, recognizes them as genuine and with Charlottes approval wears the string at the party. When Charlotte noticed that e precisebody at the party assumed they were real she insisted at the idea to return them to her cousine Arthur who still pretends to swear that they were pasteand later writes to her that he smashed them to destroy any false blear upon his family.Later however, Charlotte sees Mrs. Guz wearing a beautiful pearl str ing. She explained to Charlotte she bought it from a head to whom Arthur sold them. Charlotte was disappointed how her cousin could be so deceitful. The origin of Paste is rather more expressible, since it was to consist but of the ingenious thought of transposing the cost of one of Guy de Maupassants admirable stories.The story originated from the idea of reversing the situation of de Maupassants La Parure, in which a supposedly genuine necklace is found to be false, by centering the action on a string of perals, thought to worthless but proved to be real. In La Parure a poor young charwoman, under social stress, the indispensableness of making an behavior on an important occasion, borrows from an old school friend, not much richer than herself, a pearl necklace which she has the appalling misfortune to lose by some mishap never afterwards cleared up.Her life and her pride, as well as her husbands with them, become subject, from the hour of the awful accident, to the redempti on of their debt which, effort by effort, fall in by sacrifice, excuses, a rage of desperate explanation of their failure to deposit the missing object, they finally obliterateall to find that their whole cognisance and life have been convulsed, that the pearls were an imitation and that their passionate apology has ruined them for nothing. concord to Henry James and his theory of fiction Guy de Mauppasant holds that we have no universal measure of the truth and that there are many different classes of fiction which help us to understand that the particular way we see the world is our particular illusion about it. 5. Fiction in Paste and Henry James Henry Jamess conception of writing fiction is defined in these words A novel is, in its broadest definition, a personal, a direct impression of life, that, to begin with, constitutes its value, which is greater or less according to the intensity of the impression.But there will be no intensity at all, and therefore, no value, unless t here is freedom to regain and say. In his treatment of subject matter, James felt that no aspect of life should be excluded. He said that the province of art is all life, all feeling, all observation, all vision it is all experience. That is a sufficient answer to those who maintain that it must not touch the sad things of life Jamess style of writing is magnificent and his canvas is broad encompassing both Europe and America.He is a master of character portrayal and has extensively used the stream of consciousness method in his fictional writing. Julie Rivkin explains the term as a radiating luminous intelligence which integrated the felt life into fiction. Perhaps more than any previous writer, James tenuous the technique of narrating a novel from the point of view of a character, thereby laying the foundations of modern stream of consciousness fiction. Henry James produced one hundred and twelve stories and majority of them have been ignored or pink-slipped as a tributary to the mainstream of his novels.James creative energies were devoted equally into his novels, essays and his short stories, which manner that also the stories deserved critical interrogation as his novels or essays. James wrote about Guy de Maupassant that he will be remembered because of his more than hundred tales he wrote and not on his half a dozen novels meaning probably that he wanted to state that his go would be to remember him himself also because of his novels and his short stories. 6. Paste analysis Henry James is grappling with the idea of keeping the story under 7,000 words. snap off of this struggle develops from his idea seemingly having too much to say, but the notebook computer entry also leans towards the difficulty of being able to create a diverse large idea to actually have a story in spite of appearance this space. James seems to be attempting to begin answering what is the short story but to do anything worth while with it I must be very clear as to wh at it is in it and what I wish to get out of it. It must be a picture it must expatiate something. This also refers back to that that the writer needs to avoid a aboveboard summary of events and the reader must encounter a story within the sketch structure.Within James description of the story he intends to work on, he places a great deal of emphasis on tell to relay his story. Paste is one of the few tales in which James successfully approaches Maupassants technique, allowing the objective action of the tale to reveal all its characters and values. The dapple is swiftly set in motion, on the day of his stepmothers funeral , Arthur allows his cousin Charlotte to take one peace of stage jewelry, she picks out some paste pearls which she uprightly returns to Arthur when she founds out they are real.Arthur being a prudish stepson is greedy enough to sell the pearls , while he wrote her cousin he destroyed them. As so often in this tales, the professional virtuous are capable as utterly fraudulent and the decent people as Charlotte as selfless fools. Only Mrs. Guy which with her name remembers us on Guy de Maupassant is one of Jamess innumerable versions of the Madame Merle- type competent wordly woman with an innocent look and a strong authority manages to a short while to win the readers thoughts.Paste is told by an all-knowing third-person narrator, who refrains from judging the characters or their actions. The narrator does have access to the characters thoughts, but for the most part, the narrator simply describes the events of the story, leaving it up to the reader to determine the reputation of the characters through their actions. Most of all, the narrator is concerned with Charlotte Prime. The deterrent example dimension is most obvious in what appears to be Jamess confident force per unit area on the reality of moral evil, motivated by egoism and by self-sacriface, especially sacrifice of own happiness.Charlotte insisted on the problem of sac rifice and she does not act for her own good, she wants to be fair and returns the pearls to her greedy cousin and when she founds out that he sold them she asks her self why was she so moral and honorable Jamess characters, especially Charlotte, are presented as they having a very difficult time to simply trying to understand what they most need to understand- their own and others intentions or motives. The major themes in the story are paste, greed, losing moral values, truth vs. lie.All the themes are connected with a symbol in the story. Paste meaning the farce which Arthur plays toward his cousin, implying that things are not always what they seem to be. All the themes are connected with transition from innocence and naivety to experience. maturement of Charlotte Prime in Paste Charlotte Prime is a governess in a little town called Bleet and the role of a governess in Victorian multiplication was not a popular figure in Victorian England. The governess did not have a social p osition worthy of attention.The problem existed in them that aristocrats and middle-class Victorians were not sure how to treat the governess because she was in many cases also from the same class as they were, but her lack of financial perceptual constancy made them view her as she were from the lower class. To work as a governess in Victorian times was justified by the society only if she found herself in financial distress or had no relatives to have her support. From the story it is noticeable that Charlotte Prime was also working as a governess because her bad financial situation 6. ConclusionThe main aim of this research paper was to show how James dealt with fiction in his short stories, especially in Paste. James was fascinated to be challenged with writing short stories. He knew that had to take one single incident and his fiction does not by and large lend itself to a close examination or its values are diffuse, the structure is often loose, its effects depend on stock devices and responses. That means that a plot need be no more than a string of stock devices for arousing stock responses of concern and excitement in the reader. The readers interest may be captured t the outset by the promise of conflicts or mysteries or frustrations that will eventually be resolved, and he will gladlyso strong is his desire to be moved or entertainedsuspend criticism of even the most unoriginal modes of resolution. 7. Bibliography 1. Baldev Vaid, Krishna (1964). Technique in the tales of Henry James. Cambridge HUP Press 2. Gale L. , Robert (1965). Plots and Characters in the Fiction of Henry James. HamdenThe Shoe String 3. Pippin, Robert B. ( 2000). Henry James and modern moral life. Cambridge HUP 4. Putt, S. Gorley (1966). Henry James. A readers Guide. Ithaca, New York Cornell University Press.