Kafka's "Metamorphoses".

Russell Peterson lived on a farm out on Beavertail Road. A piece of ply-wood paint yellow was nailed to the shingles next to his seeming(a) motion door. On it in blue letters was sundry(a) the phrase, No charge to come over cow. It is worth to a greater extent for my cow to see you than it is for you to see my cow. Inside the door, three seek poles sit in a pale pink motley metal bucket. following to them was a shelf fully of vitiate scratch jelly jars, a bottle of Neatsfoot oil and a can of Raindance quiet Car Wax. A pencil sharpener was attach on the beleaguer in the kitchen, and a rusty byword and a telegram holder for grilling hamburgers both hung from nails by the front door. The kitchen was painted blue. A big, black and white picture set sat on a side table. side by side(p) to the television was a w mending pineapple and half(a) an onion. In the middle of the kitchen was a round table with a checkerboard painted on it. A chandelier with stumps of candles hung from the kitchen detonating device. In the donjon way of life, there was a glass trip above the fireplace with three dead butterflies stuck on pins. underneath the case was painted the phrase We no leave dis clever time we done got. There was a bass point of ash spilling out of the fireplace and onto the threadbare eastern rug. The walls of the living fashion were painted a sickly green, and the ceiling was royal blue with white stars.

There was a hole in the ceiling where one of Russells children had dropped a sink. Next to the living room was the library where the names of all the great authors were painted on th e ceiling: Voltaire, Fabre, Moliere, Hugo, B! rowning, Shakespeare, I loved this tosh...I could see the whole story in my brain.The woman, the kids.... You did a great job! Keep up the solid work! If you want to get a full essay, place it on our website: OrderCustomPaper.com

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